Joni Mitchell is on the small stage, singular, only her voice and the acoustic guitar, singing a song that I don't believe she has ever performed live, much less solo - a song whose lyrics are taken from WB Yeats' poem "Sailing to Byzantium"
and all the English majors in the room close their eyes and sway their heads as they sing along:
Turning and turning
Within the widening gyre
The falcon cannot hear the falconer
Things fall apart
The centre cannot hold
And a blood dimmed tide
Is loosed upon the worldNothing is sacred
The ceremony sinks
Innocence is drowned
In anarchy
Within the widening gyre
The falcon cannot hear the falconer
Things fall apart
The centre cannot hold
And a blood dimmed tide
Is loosed upon the worldNothing is sacred
The ceremony sinks
Innocence is drowned
In anarchy
The best lack conviction
Given some time to think
And the worst are full of passion
Without mercy
Surely some revelation is at hand
Surely it's the second coming
And the wrath has finally taken form
For what is this rough beast
Its hour come at last
Slouching towards Bethlehem to be born
Slouching towards Bethlehem to be born
Hoping and hoping
As if with my weak faith
The spirit of this world
Would heal and rise
Vast are the shadows
That straddle and strafe
And struggle in the darkness
Troubling my eyes
Shaped like a lion
It has the head of a man
With a gaze as black
And pitiless as the sun
As it's moving its slow thighs
Across the desert sands
Through dark indignant
Reeling falcons
Surely some revelation is at hand
Surely it's the second coming
And the wrath has finally taken form
For what is this rough beast
Its hour come at last
Slouching towards Bethlehem to be born
Slouching towards Bethlehem to be born
(Head of a man, shape of a lion)
Raging and raging
It rises from the deep
Opening its eyes
After twenty centuries
Vexed to a nightmare
Out of a stony sleep
By a rocking cradle
By the Sea of Galilee
Surely some revelation is at hand
Surely it's the second coming
And the wrath has finally taken form
For what is this rough beast
Its hour come at last
Slouching towards Bethlehem to be born
Slouching towards Bethlehem to be born
(Head of a man, shape of a lion)
And the English majors (Marjo among them), as Ms. Mitchell bows her head in reverence to the impact of her song, move among the audience, distributing well-worn copies of the Collected Poems of W.B. Yeats, each with a page marked to this poem:
The Second Coming (Sailing to Byzantium)
Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.
Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming!
Hardly are those words out
When a vast image out of Spiritus Mundi
Troubles my sight: somewhere in the sands of the desert
A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun,
Is moving its slow thighs, while all about it
Reel shadows of the indignant desert birds.
The darkness drops again; but now I know
That twenty centuries of stony sleep were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
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