"So my dad was putting all the dishes in the dishwasher and they still had all this crap stuck to 'em and I says 'Dad you know you gotta clean 'em off first' and my dad says, 'Why the hell I gotta clean 'em off first it's a dishWASHER not a dishwasher-UPPER-AFTER' and I tell him, That's just the way it works you gotta clean 'em off first.'
"So he says 'Well then that just means it's not doing it just we oughta just fire the damn thing.' and that's my dad's answer to everything - if it ain't working, fire it. So that's why I just told mom that dad wants to fire the dishwasher."
This is a virtual cafe where all ideas are entertained all facts discerned, all topics discussed. And just because the proprietor has a passion for Christ, books, and the Acoustic guitar, that doesn't mean you can't veer wildly off into different subjects. So, come in, have a coffee (imported especially from Verble's finca in El Salvador), and talk about whatever you want.
Sunday, December 7, 2014
Wednesday, December 3, 2014
Poem of the Day: When the earth holds nothing
When the earth holds nothing
for you,
Life is full of empty boxes
left on dusty shelves
in detached garages with tilted doors.
Walk down these streets,
stricken with
the silence brought on
by the oppressive weight of indecision.
Your dreams have fled,
in search of someone else's
night sky.
The trees drop their limbs
in a sullen hush,
and not even the neighbor's
dogs have the
strength to bark at
strangers
these days.
Purple sky
bloated,
you turn and walk back
toward the garage.
Time to dust off those damn
shelves,
time to straighten up that tilted door,
time to fill those boxes
with your words.
If the world holds nothing for you,
let the world know that
at the very least,
you hold something for the world.
MR 2014-1202
for you,
Life is full of empty boxes
left on dusty shelves
in detached garages with tilted doors.
Walk down these streets,
stricken with
the silence brought on
by the oppressive weight of indecision.
Your dreams have fled,
in search of someone else's
night sky.
The trees drop their limbs
in a sullen hush,
and not even the neighbor's
dogs have the
strength to bark at
strangers
these days.
Purple sky
bloated,
you turn and walk back
toward the garage.
Time to dust off those damn
shelves,
time to straighten up that tilted door,
time to fill those boxes
with your words.
If the world holds nothing for you,
let the world know that
at the very least,
you hold something for the world.
MR 2014-1202
Thursday, November 20, 2014
Overread at the Counter: Section 1 of "Your Call Will Be Answered in the Order in which It Was Received"
1.
All agents are currently busy assisting
other callers.
Your call is very important to us.
Please stay on the line.
Your call will be answered in the order in
which it was received.
Camelot.
Kennedy died
generations ago,
and yet the
breadth of his smile still ripples through our culture
like a wave
of sound that
has become a
low murmur, below
audibility,
and can only
be felt,
like the dull thud of the bass
from the box
of
the car
that
slides beside,
driven by a
whiteboy in a Red Sox cap,
wearing gold
chains and a
mouth full
of someone else’s attitude.
Ask not what you can
do for your country,
ask what
bell this country
will toll
for you.
from "Your Call Will Be Answered in the Order in which It Was Received"
by MR
Monday, October 27, 2014
Overheard at the Counter: Verble's Quick Guide to Tom Waits
Verble Gherulous’s Brief Introduction to the Mad Mad World
of Tom Waits
First, one should know that there are two Tom Waits:
1)
Piano Blues Tom Waits
and
2) Pure Gravel Static Tom Waits.
Both are absolute genius.
A start with the “transitional” albums (late 70’s/early 80s)
between the two is probably the best way to get a true appreciation of the
entire oeuvre. Personally, I would
suggest listening to the following albums in order:
Album #1) Blue Valentines. My personal favourite. Pure poetry, rainslicked streets, and
whiskeysoaked vocals.
Album #2) Rain Dogs.
*THE* transitional album, although some may think that actually is . . .
Album #3) Swordfishtrombones. This album is suburbia seen through the eyes
of Picasso.
Album #4) Foreign Affairs. Tight mysteries and
midnight road movies.
Album #5) Bone Machine. Suffering madness, beautiful
delusion.
Album #6) Small Change. Punks, pimps, tramps, thieves, such beautiful
tragedy.
Album #7) Mule Variations. Picture American Gothic
drenched in sepia tones.
Album #8) Nighthawks at the Diner. An intimate
evening with a brilliant magician at a piano.
With these albums tucked under your belt, you will have the
essential Tom Waits. All the rest is
just gravy. Delicious gravy with a haunted aftertaste of blood and gin.
Tuesday, October 21, 2014
Overread at Booth 3: Economy in the Time of Ebola
Economy in the Time of Ebola
In a market in Monrovia a woman sits on a square carpet,
weaving multicoloured bands of beads into bracelets and necklaces,
which sit untouched throughout the long afternoon,
now that these are the days when no one wants to buy,
because to buy means
to touch something.
A young man, 19, owns his own art studio,
where he sells carvings of horses, paintings of streams and
of mountains. Some days, he makes the two hour walk
from his house outside of the city, to do nothing more
than to sweep the floor of the shop that no one enters,
because to enter means
to breathe the same air.
A lawyer sits at his favourite table
in a bar. He hasn't been here for weeks,
but he is glad to be back now. Glad to be able
to get out of the house, to move around, to watch
his favourite football team, Arsenal, playing on the television
propped above the bar. There is a dispenser
just outside the doors of the bar. It dispenses a
cleansing solution of bleach and water.
It washes every hand clean.
MR
In a market in Monrovia a woman sits on a square carpet,
weaving multicoloured bands of beads into bracelets and necklaces,
which sit untouched throughout the long afternoon,
now that these are the days when no one wants to buy,
because to buy means
to touch something.
A young man, 19, owns his own art studio,
where he sells carvings of horses, paintings of streams and
of mountains. Some days, he makes the two hour walk
from his house outside of the city, to do nothing more
than to sweep the floor of the shop that no one enters,
because to enter means
to breathe the same air.
A lawyer sits at his favourite table
in a bar. He hasn't been here for weeks,
but he is glad to be back now. Glad to be able
to get out of the house, to move around, to watch
his favourite football team, Arsenal, playing on the television
propped above the bar. There is a dispenser
just outside the doors of the bar. It dispenses a
cleansing solution of bleach and water.
It washes every hand clean.
MR
Overheard at Booth 3: Snakes and Earrings
Snakes and Earrings

Hitari Kanehewa
"Frankly, all I remember about this book is thinking how can someone make tongue-splitting so erotic?"
"Erotic?"
"Yeah, and why am I so interested in this girl who basically sounds like she just wants to become a snake, and I remember feeling that the snake tattoos were actually moving, slithering, and it was just like, should I be reading this on the bus, in the middle of all these people going to work?"
"You know they made a movie out the book, right?"
"Kick-in' . . . adding it to my Netflix queue!"
"Frankly, all I remember about this book is thinking how can someone make tongue-splitting so erotic?"
"Erotic?"
"Yeah, and why am I so interested in this girl who basically sounds like she just wants to become a snake, and I remember feeling that the snake tattoos were actually moving, slithering, and it was just like, should I be reading this on the bus, in the middle of all these people going to work?"
"You know they made a movie out the book, right?"
"Kick-in' . . . adding it to my Netflix queue!"
Overread at Table Two: Rough Draft of Short Story
4:21
His feet fell hard along the path. He thought to himself that maybe it was the
running shoes. Maybe he needed to check
with someone to see if it was really true that there were special shoes just
for jogging. These that he also used to
mow the lawn felt as though the sides of his feet were coming unsealed from the
soles.
He slowed down, almost tripping over the lip of one concrete
slab rising above another. It was still
dark, almost too dark to see. Yet he
knew it was there, and accounted for it.
As he breathed heavily, he put his hands to his sides and
followed the path as it began to wind around the lake, off Peak Hill Road, into
the neighbourhood. He heard his breath,
coming hard in expulsive gasps. He felt
the rolls above the seam of his gym shorts, and he tried to imagine if they
were gradually lessening in size. Were
they smaller than yesterday? Was that
possible to gage?
The ducks floated on the like, immobile, like short, thick
tree limbs.
He looked up at the sky, noticed the brilliance of the
stars. Orion was the only constellation
he knew, and it stood as the centerpiece.
He knew there should be more stars, and he knew that there were no
clouds, and he also knew (because he had read somewhere) that it is not so much
smog that clouds the stars as light pollution.
As the city worked its way toward Cinco Hill, there would be many more
light, and these stars, shining high above him, would be pushed out, further
out, toward Sealing. Or even to
Toqueville.
So he decided to enjoy them now, at this moment, in this
place, where the night was still inky black.
He realized then the wonderful blanket of silence that surrounded
him. He appreciated that. He thought to himself that in one hour and a
half, almost exactly, he would be in the middle of a sea of red lights, and a
quick blink and a move over, and the sound of 18-wheelers belching air brakes
and diesel, and with the radio on the news and then work would be nothing but a
constant gravel crush of wall-to-wall noise
but now. Here. Nothing.
Beautiful nothing.
A duck quacked.
Flipped its feathers. Some water
spun off. Then, it returned to floating
motionless alongside the other ducks, all motionless in the inky waters of the black
lake.
“Shake off that dream, duck,” he said, smiling.
Then, he started up again his jog. His feet were heavy but he felt light.
Another jogger approached him from around the curve.
He never saw the knife.
Nor did he ever know how many times the blade jabbed deep into his
belly.
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