Economy in the Time of Ebola
In a market in Monrovia a woman sits on a square carpet,
weaving multicoloured bands of beads into bracelets and necklaces,
which sit untouched throughout the long afternoon,
now that these are the days when no one wants to buy,
because to buy means
to touch something.
A young man, 19, owns his own art studio,
where he sells carvings of horses, paintings of streams and
of mountains. Some days, he makes the two hour walk
from his house outside of the city, to do nothing more
than to sweep the floor of the shop that no one enters,
because to enter means
to breathe the same air.
A lawyer sits at his favourite table
in a bar. He hasn't been here for weeks,
but he is glad to be back now. Glad to be able
to get out of the house, to move around, to watch
his favourite football team, Arsenal, playing on the television
propped above the bar. There is a dispenser
just outside the doors of the bar. It dispenses a
cleansing solution of bleach and water.
It washes every hand clean.
MR
This is a virtual cafe where all ideas are entertained all facts discerned, all topics discussed. And just because the proprietor has a passion for Christ, books, and the Acoustic guitar, that doesn't mean you can't veer wildly off into different subjects. So, come in, have a coffee (imported especially from Verble's finca in El Salvador), and talk about whatever you want.
Tuesday, October 21, 2014
Overheard at Booth 3: Snakes and Earrings
Snakes and Earrings

Hitari Kanehewa
"Frankly, all I remember about this book is thinking how can someone make tongue-splitting so erotic?"
"Erotic?"
"Yeah, and why am I so interested in this girl who basically sounds like she just wants to become a snake, and I remember feeling that the snake tattoos were actually moving, slithering, and it was just like, should I be reading this on the bus, in the middle of all these people going to work?"
"You know they made a movie out the book, right?"
"Kick-in' . . . adding it to my Netflix queue!"
"Frankly, all I remember about this book is thinking how can someone make tongue-splitting so erotic?"
"Erotic?"
"Yeah, and why am I so interested in this girl who basically sounds like she just wants to become a snake, and I remember feeling that the snake tattoos were actually moving, slithering, and it was just like, should I be reading this on the bus, in the middle of all these people going to work?"
"You know they made a movie out the book, right?"
"Kick-in' . . . adding it to my Netflix queue!"
Overread at Table Two: Rough Draft of Short Story
4:21
His feet fell hard along the path. He thought to himself that maybe it was the
running shoes. Maybe he needed to check
with someone to see if it was really true that there were special shoes just
for jogging. These that he also used to
mow the lawn felt as though the sides of his feet were coming unsealed from the
soles.
He slowed down, almost tripping over the lip of one concrete
slab rising above another. It was still
dark, almost too dark to see. Yet he
knew it was there, and accounted for it.
As he breathed heavily, he put his hands to his sides and
followed the path as it began to wind around the lake, off Peak Hill Road, into
the neighbourhood. He heard his breath,
coming hard in expulsive gasps. He felt
the rolls above the seam of his gym shorts, and he tried to imagine if they
were gradually lessening in size. Were
they smaller than yesterday? Was that
possible to gage?
The ducks floated on the like, immobile, like short, thick
tree limbs.
He looked up at the sky, noticed the brilliance of the
stars. Orion was the only constellation
he knew, and it stood as the centerpiece.
He knew there should be more stars, and he knew that there were no
clouds, and he also knew (because he had read somewhere) that it is not so much
smog that clouds the stars as light pollution.
As the city worked its way toward Cinco Hill, there would be many more
light, and these stars, shining high above him, would be pushed out, further
out, toward Sealing. Or even to
Toqueville.
So he decided to enjoy them now, at this moment, in this
place, where the night was still inky black.
He realized then the wonderful blanket of silence that surrounded
him. He appreciated that. He thought to himself that in one hour and a
half, almost exactly, he would be in the middle of a sea of red lights, and a
quick blink and a move over, and the sound of 18-wheelers belching air brakes
and diesel, and with the radio on the news and then work would be nothing but a
constant gravel crush of wall-to-wall noise
but now. Here. Nothing.
Beautiful nothing.
A duck quacked.
Flipped its feathers. Some water
spun off. Then, it returned to floating
motionless alongside the other ducks, all motionless in the inky waters of the black
lake.
“Shake off that dream, duck,” he said, smiling.
Then, he started up again his jog. His feet were heavy but he felt light.
Another jogger approached him from around the curve.
He never saw the knife.
Nor did he ever know how many times the blade jabbed deep into his
belly.
Friday, October 10, 2014
FRIDAY LOVE EP
Friday LOVE EP
Boy Least Likely To – Saddle Up
Rogue Wave – Christians in Black
Big Data – Dangerous
Sunset Rubdown – Silver Moons
Ace Enders – Souls Like the Wheels
Doyle Bramhall - Lost in the Congo
David Byrne and Fatboy Slim feat. Kevin Moon Loh –
God Draws Straight
The Cure – Friday, I’m in Love
Ellie Goulding – How Long Will I Love You
Thursday, October 9, 2014
Open-Mike Thursday: MR poem-of-the-day
Weave in, weave out,
looking for one single moment of gastrointestinal clarity,
I don't really care for your charity,
but I'll take it just the same,
the Beats were a motley crew with no fixed point star,
just a mass of hazy stares, glaring out into the abyss
when no abyss existed, it was merely a playing field
for the thought dreams to be seen
heads in guillotines,
that's right, Bobby, that's right, you come
right out of that muddled mess and
bring some sense to the door,
Interesting how the great American songwriters
emerged out of the Great Depression Oklahoma dust
like the primordial firstborn Adam
walking toward the 20th century from the fog
of the nothing-that-was.
the heartbeat of America is a vein of poetry
that flows through the land, and these
poets, erstwhile musicians, these poets
merely tap into the vein,
like a sideways shock into the shale
and let the poetry ooze out through through
the pores of the earth and spray
into the air, the gas gets flared, and the
words lost in the edit are the
putrified water that gets shot
back into the aquifer.
sometimes the people can't tell the poetry
from the dredge,
that's where the internet comes in.
If you're reading these words in a book, then
buddy, that's poetry.
If you're reading these words online, then
you're wasting your time.
Go read a book.
MR
2014-1009
looking for one single moment of gastrointestinal clarity,
I don't really care for your charity,
but I'll take it just the same,
the Beats were a motley crew with no fixed point star,
just a mass of hazy stares, glaring out into the abyss
when no abyss existed, it was merely a playing field
for the thought dreams to be seen
heads in guillotines,
that's right, Bobby, that's right, you come
right out of that muddled mess and
bring some sense to the door,
Interesting how the great American songwriters
emerged out of the Great Depression Oklahoma dust
like the primordial firstborn Adam
walking toward the 20th century from the fog
of the nothing-that-was.
the heartbeat of America is a vein of poetry
that flows through the land, and these
poets, erstwhile musicians, these poets
merely tap into the vein,
like a sideways shock into the shale
and let the poetry ooze out through through
the pores of the earth and spray
into the air, the gas gets flared, and the
words lost in the edit are the
putrified water that gets shot
back into the aquifer.
sometimes the people can't tell the poetry
from the dredge,
that's where the internet comes in.
If you're reading these words in a book, then
buddy, that's poetry.
If you're reading these words online, then
you're wasting your time.
Go read a book.
MR
2014-1009
Monday, October 6, 2014
Poem of the Day: Poem in the Modernist Manner by David Lehman
Poem in the Modernist Manner
David Lehman, 1948
They were cheap but they were real,
the old bistros. You could have a meal,
drink the devil’s own red wine, and contemplate
the sawdust on the floor, or fate,
as the full-fed beast kicked the empty pail.
the old bistros. You could have a meal,
drink the devil’s own red wine, and contemplate
the sawdust on the floor, or fate,
as the full-fed beast kicked the empty pail.
The conspiracy of the second rate
continued to reverberate.
Everyone wanted to get his licks.
Everyone said it was a steal.
continued to reverberate.
Everyone wanted to get his licks.
Everyone said it was a steal.
So the girl and I stayed out late.
We walked along the shore
and I campaigned some more.
And the city built with words not bricks
burned like a paper plate.
We walked along the shore
and I campaigned some more.
And the city built with words not bricks
burned like a paper plate.
About This Poem
“‘Poem in the Modernist Manner’ is from a book of poems in
progress called Poems in the Manner Of. I began writing the book twelve
years ago—on the principle that when I write as if I were someone else,
something good may happen. I have written poems in the manner of Cavafy,
Neruda, Baudelaire, Holderlin, Rilke, Auden, Mayakovsky, Dorothy Parker, Emerson,
Dickinson, Yeats, Frost, Borges, Bukowski, W. C. Williams, Robert Lowell, and
‘Wallace Stevens as rewritten by Gertrude Stein,’ among others. ‘Poem in the
Modernist Manner’ sneaks in allusions to Auden and Eliot, and the atmosphere
and attitude owe something, I think, to the modernists of the Pound
generation.”
—David Lehman
—David Lehman
David Lehman is the author of New and Selected Poems (Scribner,
2013). He teaches poetry and literature in the New School Writing Program in
New York City.
Monday, September 15, 2014
Poem of the Day: Black Horizons by Carl Sandburg
Black Horizons
Carl Sandburg, 1878 - 1967
Black horizons, come up.
Black horizons, kiss me.
That is all; so many lies; killing so cheap;
babies so cheap; blood, people so cheap; and
land high, land dear; a speck of the earth
costs; a suck at the tit of Mother Dirt so
clean and strong, it costs; fences, papers,
sheriffs; fences, laws, guns; and so many
stars and so few hours to dream; such a big
song and so little a footing to stand and
sing; take a look; wars to come; red rivers
to cross.
Black horizons, come up.
Black horizons, kiss me.
Published in 1924. As I read this I thought, ‘ My God, my
God, a poem 90 years old and still speaks to this very day, this immediate
minute.’ We are such a poor, wretched race that can never find a way to
stop shedding these rivers of blood.
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