Friday, October 10, 2014

FRIDAY LOVE EP

Friday LOVE EP
Boy Least Likely To – Saddle Up
Rogue Wave – Christians in Black
Big Data – Dangerous
Sunset Rubdown – Silver Moons
Ace Enders – Souls Like the Wheels
Doyle Bramhall - Lost in the Congo
David Byrne and Fatboy Slim feat. Kevin Moon Loh – God Draws Straight
The Cure – Friday, I’m in Love

Ellie Goulding – How Long Will I Love You

Thursday, October 9, 2014

Open-Mike Thursday: MR poem-of-the-day

Weave in, weave out,
looking for one single moment of gastrointestinal clarity,
I don't really care for your charity,
but I'll take it just the same,

the Beats were a motley crew with no fixed point star,
just a mass of hazy stares, glaring out into the abyss
when no abyss existed, it was merely a playing field

for the thought dreams to be seen
heads in guillotines,

that's right, Bobby, that's right, you come
right out of that muddled mess and
bring some sense to the door,

Interesting how the great American songwriters
emerged out of the Great Depression Oklahoma dust

like the primordial firstborn Adam
walking toward the 20th century from the fog
of the nothing-that-was.

the heartbeat of America is a vein of poetry
that flows through the land, and these
poets, erstwhile musicians, these poets
merely tap into the vein,
like a sideways shock into the shale
and let the poetry ooze out through through
the pores of the earth and spray
into the air, the gas gets flared, and the
words lost in the edit are the
putrified water that gets shot
back into the aquifer.

sometimes the people can't tell the poetry
from the dredge,

that's where the internet comes in.

If you're reading these words in a book, then
buddy, that's poetry.

If you're reading these words online, then
you're wasting your time.

Go read a book.




MR
2014-1009

Monday, October 6, 2014

Poem of the Day: Poem in the Modernist Manner by David Lehman

Poem in the Modernist Manner
David Lehman, 1948

They were cheap but they were real,
the old bistros. You could have a meal,
drink the devil’s own red wine, and contemplate
the sawdust on the floor, or fate,
as the full-fed beast kicked the empty pail.

The conspiracy of the second rate
continued to reverberate.
Everyone wanted to get his licks.
Everyone said it was a steal.

So the girl and I stayed out late.
We walked along the shore
and I campaigned some more.
And the city built with words not bricks
burned like a paper plate.




About This Poem

“‘Poem in the Modernist Manner’ is from a book of poems in progress called Poems in the Manner Of. I began writing the book twelve years ago—on the principle that when I write as if I were someone else, something good may happen. I have written poems in the manner of Cavafy, Neruda, Baudelaire, Holderlin, Rilke, Auden, Mayakovsky, Dorothy Parker, Emerson, Dickinson, Yeats, Frost, Borges, Bukowski, W. C. Williams, Robert Lowell, and ‘Wallace Stevens as rewritten by Gertrude Stein,’ among others. ‘Poem in the Modernist Manner’ sneaks in allusions to Auden and Eliot, and the atmosphere and attitude owe something, I think, to the modernists of the Pound generation.”
—David Lehman


David Lehman is the author of New and Selected Poems (Scribner, 2013). He teaches poetry and literature in the New School Writing Program in New York City.




Monday, September 15, 2014

Poem of the Day: Black Horizons by Carl Sandburg

Black Horizons
Carl Sandburg, 1878 - 1967

Black horizons, come up.
Black horizons, kiss me.
That is all; so many lies; killing so cheap;
babies so cheap; blood, people so cheap; and
land high, land dear; a speck of the earth
costs; a suck at the tit of Mother Dirt so
clean and strong, it costs; fences, papers,
sheriffs; fences, laws, guns; and so many
stars and so few hours to dream; such a big
song and so little a footing to stand and
sing; take a look; wars to come; red rivers
to cross.
Black horizons, come up.
Black horizons, kiss me.





Published in 1924.  As I read this I thought, ‘ My God, my God, a poem 90 years old and still speaks to this very day, this immediate minute.’  We are such a poor, wretched race that can never find a way to stop shedding these rivers of blood.

Tuesday, August 19, 2014

Poem of the Day: Rapture: Lucus by Tracy Brimhall



Posters for the missing kapok tree appear on streetlights
offering a reward for its safe return. I hate to spoil it,

but the end of every biography is death. The end of a city
in the rainforest is a legend and a lost expedition. The end

of mythology is forgetfulness, placing gifts in the hole
where the worshipped tree should be. But my memory

lengthens with each ending. I know where to find the lost
mines of Muribeca and how to cross the Pacific on a raft

made of balsa. I know the tree wasn’t stolen. She woke from
her stillness some equatorial summer evening by a dream

of being chased by an amorous faun, which was a memory,
which reminded her that in another form she had legs

and didn’t need the anxious worship of people who thought
her body was a message. She is happier than the poem tattooed

on her back says she is, but sadder than the finches nesting
in her hair believe her to be. I am more or less content to be

near her in October storms, though I can’t stop thinking that
with the right love or humility or present of silk barrettes

and licorice she might become a myth again in my arms, ardent
wordless, needing someone to bear her away from the flood.

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Copyright © 2014 by Traci Brimhall. Used with permission of the author.

About This Poem


“This poem is part of a series I’m working on that mythologizes the town in Brazil where my mother was born and raised. Mysterious, and possibly miraculous things begin to occur there, and every resident has a different explanation. The speaker believes the reason for the miracles is a hamadryad nymph with a poem tattooed on her back, who ran away rather than be worshipped.”
—Traci Brimhall

Traci Brimhall is the author of Our Lady of the Ruins (W. W. Norton, 2012). She teaches at Kansas State University and lives in Manhattan, Kansas.

Most Recent Book by Brimhall


(W. W. Norton, 2012)

"Song" by Brigit Pegeen Kelly

read-more

"Diana of the Hunt" by Forceythe Willson

read-more

"Like Any Good American" by Brynn Saito

read-more

Poem-a-Day


Launched during National Poetry Month in 2006, Poem-a-Day features new and previously unpublished poems by contemporary poets on weekdays and classic poems on weekends.

Overheard at Table Four: Charity and the English Major

She wrapped her hands around her coffee mug, and said blithely, "No I never could have gotten serious with Matthew.  I never could have married an English Major."

Maria leaned in, and said, "But why not?  That semester I remember he was really into you!"

She shrugged and said, "Because of my name.  Charity.   Any English major, at some point in our relationship, would say something stupid about how charity is giving out without expecting to get anything back.  And I knew that would make me so mad I'd probably gouge out the guy's eyes with a fork."

Maria laughed.  "So basically, you just saved the life of at least one English major."

Charity smiled.  "For whatever that's worth, yeah."

Maria said, "So, you actually DO live up to your name."

Charity gave her the look that only true friends can give when the other delivers a subtly cloying truth.


Wednesday, August 13, 2014

Song of the Day: Zen and the Art of Xenophobia by Five Iron Frenzy

Cling to your god and guns, 
the banjo’s playing Hot Cross Buns, 
Bucket seats set to recline, 
no need to cross the county line. 
Are the Arabs closing ranks , 
about to roll some Russian tanks? 
Shut the doors and save the kids, 
lock and load- just like Jesus did. 
The United States of Amnesia 
make us numb, make it dumb, anesthesia. 
Cut the cord, close the door, we don’t know ‘ya, 
it’s the zen and the art of xenophobia 
Let’s keep them separate, 
melanin just can’t succeed. 
“Give me liberty… or something.” 
It’s better if you just don’t read. 
Crank your phasers up to “slaughter” 
Turn your wine back into water. 
When you play this song, Al Qaeda wins, 
and Jesus was American.